- #Filming location of childish gambino telegraph ave full
- #Filming location of childish gambino telegraph ave tv
So when we shot, we sort of favored those whenever we picked locations. You already had this ethereal nature to do settings. So when you’re in a local liquor store stop, it’s sort of surrounded by trees and there are plants growing out of the asphalt. Murai said, “When you go to the outskirts of the city, nature starts to take it over. In fact, one of the city’s older nicknames is “City in the Forest.”
#Filming location of childish gambino telegraph ave full
“Atlanta” may not reach the bizarre heights ot “Telegraph Avenue” (yet), but its aim to summarize today’s black experience is made even more challenging by setting it in The ATL, a city full of contrasts beginning with its landscape. Similarly, the director had played with the elements of surprise and menace in what initially seemed like a run-of-the-mill, albeit gorgeous music video for Childish Gambino’s “Telegraph Avenue.” Take a look:Ĭhildish Gambino – Telegraph Ave from Hiro Murai on Vimeo. It’s all presented matter-of-fact ideally.” “If we’re talking about something that’s dark or dangerous, we treat it with the same sort of affect as if you would cover a comedic scenes.
“I think the key thing for us was to talk about anything as long as it tonally makes sense,” said Murai. READ MORE: ‘Atlanta’: Donald Glover Wants You to Feel What It’s Like to Be BlackĪs in the case of the stranger on the bus, danger or frightening situations are not always telegraphed and will be presented in an understated way that causes the viewer to question one’s own reactions to the scene. Anything can happen to these characters.” So I think a lot of those scenes were there to give you a feeling that there’s a bigger world outside of what you’re seeing and that functions in a very - by its own rules. “I think ‘absurdity’ is the key word where anything can happen. “Donald always talked about the show like he wants it to be about the absurdities about being black in America,” Murai continued. “I think because a lot of the stuff we touch on in the show is not necessarily black and white, pun not intended, it’s a lot about the grey areas about race and how these characters interact.
“We wanted to flex the elasticity of the world and how there can be a fleeting, surreal moment,” said Murai. That the fantasy narrative can live on its own, not affecting other events, is part of the bigger “Atlanta” plan in which the show makes viewers feel what it’s like to be black. Those scenes leave an emotional impression - fear and confusion in the stranger’s wake - without moving the plot forward. One-off fantasy sequences dot the “Atlanta” landscape with the brevity and impact of music videos, such as a stranger making Glover’s character Earn a sandwich on the bus before disappearing into the woods. Watch the video below:Ĭhildish Gambino – Sober from Hiro Murai on Vimeo. For example, in the video for Childish Gambino’s song “Sober,” Glover suddenly breaks into a charming mating dance, wooing a girl in a fast-food joint.
#Filming location of childish gambino telegraph ave tv
It could be argued that Murai’s music video background and lack of TV knowhow helped create “Atlanta’s” unique approach to storytelling.
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